Bottle drawn in the shade of the fragrance
Good girl gone Bad
Concentration not disclosed · Alberto Morillas
A whirlwind of white flowers, between innocence and temptation.
- House
- Kilian Paris
- Family
- Floral
- Perfumer
- Alberto Morillas
- Year
- Not disclosed
Good girl gone Bad opens on a bright bouquet: orange blossom and May rose, shaded with the apricot of osmanthus. Then tuberose steps forward, heady, with jasmine in its wake.
Narcissus, green and a little unsettling, gives the base an unexpected depth. A sunny, voluptuous floral that plays on the line between freshness and sensuality.
Olfactory pyramid
- TopThe first minutes
- HeartThe signature
- BaseThe trail
Notes as published by the house. official source (new tab)
Main accords
Volute’s reading: the intensity of each accord.
- White floral100 / 100
- Fruity60 / 100
- Rosy55 / 100
- Green40 / 100
- Musky35 / 100
Seasons
- Spring
- Summer
Moments
- Day
- Night
Good girl gone Bad in detail
Kilian Paris cultivates a perfumery of seduction. Good girl gone Bad, signed by Alberto Morillas, is a whirl of white flowers between innocence and temptation, which the house places in its gift selection for her.
The official pyramid opens on orange blossom and rose, a luminous, fresh start. The heart pairs osmanthus, with its apricot accents, and creamy, heady tuberose. The base is entrusted to narcissus, a flower with a green, honeyed, slightly animalic scent that gives the bouquet its touch of mystery.
Good girl gone Bad is worn in spring and summer, by day or by night: a wedding, a summer evening, a dinner. It will suit anyone who loves generous white flowers.
Three florals in our catalogue come close: Birth of Venus by Argos shares orange blossom, narcissus and rose; Dancing Blossom by Louis Vuitton brings together rose, tuberose and osmanthus as an extrait; Elysium Absolue by Roja Parfums pairs rose and tuberose with exotic fruit.
Text written with the help of AI, based on official information from the fragrance houses.